J’ai fondé imacollector® pour documenter, analyser et transmettre ce qui me passionne dans la pop culture japonaise. Collectionneur depuis plus de 20 ans, je m’intéresse autant à l’animation et à ses objets de production qu’aux figurines, aux jeux vidéo, aux mangas et à l’histoire des collections. À travers mes articles, je cherche à aller au-delà de l’objet lui-même : comprendre qui l’a créé, dans quel contexte, ce qu’il raconte et pourquoi il mérite d’être conservé et transmis.
Before Captain Tsubasa, Japanese football already had a national federation, a...
Why are we willing to spend fortunes on a Pokémon card, yet far less inclined to...
Long viewed as a production industry, Japanese animation has become a form of global...
A video game music exhibition at the Philharmonie de Paris: the promise seemed...
When auctions, grading and social media turn manga, anime cels and other Japanese...
Through slabbed manga, graded video games and the evolution of the collectibles...
For a long time, I was drawn to ecchi and hentai works and figures before gradually...
As a child, Liveman stayed with me because of its theme song, Blue Dolphin, its...
Animation art is drawing more attention, more money and more tension than before....
Dorothée’s return to Paris in 2026 did more than awaken childhood memories. The...
